duminică, 12 februarie 2017

Tumsa Nahin Dekha 1957


Director:

  (as Nasir Husain)

Writers:

  (dialogue) (as Nasir Husain), (screenplay) (as Nasir Husain) | 1 more credit »

Stars:

 


Storyline

    Twenty years ago, after killing his brother, Sardar Rajpal flees from his hometown in Shillong and re-locates in the rural area of Assam along with his adopted daughter, Meena. He asks his wife, Kamla, to send their son, Shankar, so that he can employ him and get him married to Meena. Shankar arrives and he is welcomed by Sardar who employs him and introduces him to Meena. A few days another young man shows up at his door claiming that he is Kamla's son. A baffled Sardar also welcomes him, and puts both the young men under observation in order to find who the real Shankar is. The question remains why would anyone want to impersonate Shankar, and what will happen to Sardar himself after the Police catch up with him for killing his brother 20 years ago.




Dada 1979


Director:

 


Storyline

        After wealthy Dharamdas marries Tara, they are blessed with a son, Moti, but his business suffers. His assistant Bihari convinces him that his wife is responsible for his bad luck, and as a result Tara and her son are asked to leave. Tara solely looks after Moti, renames him Jeetu, and they live in a shanty house in a slum area. Jeetu grows up, studies engineering and gets a job as a mechanic with Alibhai Motorwala. He meets with and falls in love with Kamini, who also comes from a poor family. Then one day Kamini's brother, Pyarelal, gets killed and the killer hides in Kamini's house, sheltered by an unknowing Mrs. Pyarelal. When Kamini confides in her bhabhi that she would like to get married to Jeetu, both of them go to Jeetu's house, meet his mother, in order to arrange the marriage. Tara has already met Kamini and approves of her.




Sehra 1963


Director:

  (as V. Shantaram)

Writers:

  (dialogue),  (story) |1 more credit »





Phir Wohi Dil Laya Hoon 1963


Director:

  (as Nasir Husain)

Writer:

  (as Nasir Husain)


Storyline

    Due to a growing marital rift between Jamuna and her husband, she decides to leave him. He does not permit her to take their son, so she arranges his abduction, and disappears from her husband's life. Years later, Jamuna's son, Mohan, has grown up, and together they live a middle-class existence. One day, Mohan meets with Mona and both are attracted to each other. But Mona's guardian would like her to marry Biharilal alias Difu, who is foreign returned and comes from a very wealthy family. Mona and her friends embark on a trip to Srinagar, and Mohan follows her there. Then Jamuna's overjoyed husband announces the return of his son, Mohan, back to his household. When Jamuna gets this news, she is shocked beyond words as the man claiming to be her son, is none other than an impostor named Ramesh. She will have to come out of hiding, admit to abducting Mohan, in order to bring the truth to light.




Love In Bombay 1974


Director:

 





Hulchul 1971


Director:

 

Writers:

  (screenplay),  (story) |4 more credits »


Storyline

   Peter (O.P. Ralhan) overhears a conversation between a man and a woman, plotting to kill the wife of a "Mahesh Jetley". Being a very sincere, diligent and a concerned citizen, Peter sets out to try and warn Mrs. Jetley of the apparent threat to her life. After overcoming a number of obstacles, including convincing his prospective mother-in-law, Philomena D'Costa (Tun Tun) that he is not possessed by a demon, he discovers that not one but several Mr. Jetleys have a number of motives for killing their respective wives. Will Peter uncover the real Mr. Jetley who he overheard or will he uncover a number of dead Mrs. Jetleys?




Shaitaan 1974


Director:

  (as Firoze Chinoy)

Writers:

  (screenplay),  (story)


Storyline

          After the brutal deaths of Kanta Mirchandani and Sabrina, Bombay's Police Commissioner concludes it to be the work of a serial killer and assigns this case to Inspector Ashok, who lives with his widowed mother, Radha, and is in love with Nisha, a Journalist, and the sister of Advocate Munish. Evidence leads Ashok to suspect that Munish is the killer, and he is all set to arrest him. Then Shabnam, a Courtesan, comes forward and claims that she was attacked by a maniac, but managed to escape and assists the police to prepare a hand-drawn sketch. Hoping to have her positively identify Munish as the killer, Ashok finds the tables turned against him when Shabnam identifies him, not Munish, as her assailant.